Reckless with his wife and daughter. For fans of the franchise, the expansion is both good (more of the same) and bad (obscuring the initial, strangely elegant simplicity). Jeff is an anguished man who grieves and misses his young son that was killed by a driver in a car accident. Since then, the murderous schemes and devices have been elaborated upon, and Jigsaw granted more history (this time he even gets a lost love, sunny and blond). The judgmental/instructional killer was introduced in the very low-budget Saw, in which Jigsaw's victims were locked in a basement for 90 minutes, the limits of space and time showing the ingenuity of young Australian filmmakers James Wan and Leigh Wannell. But it also threads through a series of plot twists that pay off - sometimes cleverly, usually predictably. Darren Lynn Bousman's film is bursting with graphic, sometimes stomach-turning images of gore and suffering. Though Saw III's script is slightly more sophisticated than either of its predecessors - Saw and Saw II - its concept is the same. This brutal sequel offers more of the torture and suffering audiences have come to expect from the bloody series. She's only part of a larger scheme - which is how you might be feeling by the end of this third installment. But despite his assurances, Lynn isn't in control of her own fate. Lynn makes a series of decisions that John admires and says he wants to reward. Meanwhile, Amanda's other snare, drug-addicted brain surgeon Lynn (Bahar Soomekh), is locked in a collar that will blow her head off if she doesn't operate on Jigsaw John. He's forced to weigh his long-professed desire for revenge against the urge to do the "right" thing by forgiving those he blames for his pain. Jeff must decide the fates of three other victims, all tied to his son's tragic death. Amanda reels in Jeff (Angus Macfadyen), a man haunted by the death of his young son. Official theatrical movie poster (1 of 10) for Saw 3D (2010). This time, John/Jigsaw is bedridden with his cancerous brain tumor, so his protégé Amanda (Shawnee Smith) goes forth to bring a primary victim to his video-monitored warehouse. John's still up to his same old tricks- selecting "subjects" who need to be morally reeducated and putting them in situations in which they must sacrifice some precious idea or body part in order to escape. The insidious, ever-vengeful John Kramer/Jigsaw ( Tobin Bell) returns for more blood and gore in SAW III. Which Side of History? How Technology Is Reshaping Democracy and Our Lives.
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